Lucrezia Borgia

Lucrezia Borgia is also the name Buffalo Bill gave to his gun.[1]
Lucrezia Borgia
Lady of Pesaro and Gradara
Duchess of Bisceglie and Princess of Salerno
Duchess of Ferrara, Modena and Reggio
Supposed portrait of Lucrezia Borgia assumed to be by Dosso Dossi [2], but very likely her daughter-in-law Renée of France (painted in 1535)[3]
Supposed portrait of Lucrezia Borgia assumed to be by Dosso Dossi [2], but very likely her daughter-in-law Renée of France (painted in 1535)[3]
Spouse(s) Giovanni Sforza
Alfonso of Aragon
Alfonso d'Este
Issue
Rodrigo Borgia of Aragon
Ercole II d'Este, Duke of Ferrara
Ippolito II d'Este
Alessandro d'Este
Leonora d'Este
Francesco d'Este, Marchese di Massalombarda
Isabella Maria d'Este
Noble family Borgia
Father Rodrigo Borgia
Mother Vannozza dei Cattanei
Born 18 April 1480(1480-04-18)
Subiaco, Italy
Died 24 June 1519(1519-06-24) (aged 39)
Ferrara

Lucrezia Borgia (18 April 1480 – 24 June 1519) was the illegitimate daughter of Rodrigo Borgia, the powerful Renaissance Valencian who later became Pope Alexander VI, and Vannozza dei Cattanei. Her brothers included Cesare Borgia, Giovanni Borgia, and Gioffre Borgia.[4]

Lucrezia's family later came to epitomize the ruthless Machiavellian politics and sexual corruption alleged to be characteristic of the Renaissance Papacy. Lucrezia was cast as a femme fatale, a role she has been portrayed as in many artworks, novels, and films.

One painting, Portrait of a Youth by Dosso Dossi at the National Gallery of Victoria, was identified as a portrait of Lucrezia in November 2008.[5][6][7][8][9] This painting may be the only surviving formal portrait of Lucrezia Borgia. However, doubts have been cast on that claim.[10] Several other paintings, such as Bartolomeo Veneziano's fanciful portrait, have also been said to depict her but none have been accepted by scholars at present. She is described as having heavy blonde hair which fell past her knees, a beautiful complexion, hazel eyes which constantly changed colour, a full, high bosom, and a natural grace which made her appear to "walk on air"[11]; these were the physical attributes that were highly appreciated in Italy during that period.

Very little is known of Lucrezia as a historical personage, and her complicity in the political machinations of her brothers and father cannot be determined at this time. Her father and/or brother certainly arranged several marriages for her to important or powerful men in order to advance their own political ambitions. Lucrezia was married to Giovanni Sforza (Lord of Pesaro), Alfonso of Aragon (Duke of Bisceglie), and Alfonso d'Este (Duke of Ferrara). Tradition has it that Alfonso of Aragon was an illegitimate son of the King of Naples and that Cesare may have had him murdered after his political value waned.

Contents

Marriages

First marriage: Giovanni Sforza

Lucrezia Borgia was born at Subiaco, near Rome on 18 April 1480. Her mother was the beautiful Giovanna de Candia, Countess of Cattanei of the House of Candia, better known to history as Vannozza dei Cattanei; and she was one of the many mistresses of Rodrigo Borgia, who was Lucrezia's father.

By the time Lucrezia was thirteen, she had been betrothed twice, but her father called off both engagements. After Rodrigo became Pope Alexander VI, he arranged for Lucrezia to marry Giovanni Sforza with the purpose of establishing an alliance with the powerful Milanese ducal family as Giovanni was an illegitimate son of Costanzo I Sforza. The wedding was a scandalous event, but was not much more extravagant than many other Renaissance celebrations.

Before long, the Borgia family no longer needed the Sforzas, and the presence of Giovanni Sforza in the papal court was superfluous. The Pope needed new, more advantageous political alliances, so he may have covertly ordered the execution of Giovanni. The generally accepted version is that Lucrezia was informed of this by her brother Cesare, and she warned her husband, who fled Rome.

Possibly Pope Alexander VI never made such an order, and it was a plot on the part of Cesare and Lucrezia to drive her husband away. Regardless, Alexander and Cesare were pleased with the chance to arrange another advantageous marriage for Lucrezia.

Alexander asked Giovanni's uncle, Cardinal Ascanio Sforza, to persuade Giovanni to agree to a divorce. Giovanni refused and accused Lucrezia of paternal and fraternal incest. Since the marriage had supposedly not been consummated, the Pope said that the marriage was not valid, and offered Giovanni Lucrezia's dowry to agree. The Sforza family threatened to withdraw their protection of Giovanni if he refused Alexander's offer. Having no choice, Giovanni Sforza signed confessions of impotence and documents of annulment before witnesses.

Affair with Perotto

There has been speculation that during the prolonged process of the annulment, Lucrezia consummated a relationship with someone, probably Alexander's messenger Perotto. The result was that she was actually pregnant when her marriage was annulled for non-consummation, and this is one of the facts her detractors have cited to support their derogatory view of her character. The child, named Giovanni but known to historians as the Roman Infante, was born in secret (1498) before Lucrezia's marriage to Alfonso of Aragon.

Some believe the child was her brother Cesare's, but that Perotto, due to his fondness for Lucrezia, claimed that it was his. During her pregnancy, she stayed away from Rome at a convent, so no one would know, and Perotto would bring her messages from her father in Rome. According to this theory, Lucrezia was worried that if news of her pregnancy reached the citizens of Rome, they would surely know it was Cesare's child. Cesare, at the time, was a Cardinal of the Holy Church; if he had been sharing an illicit sexual relationship with his sister during her marriage to Giovanni, it would have to be concealed from everyone, especially their father (the Pope).

In 1501, two papal bulls were issued concerning the child, Giovanni Borgia. In the first, he was recognized as Cesare's child from an affair before his marriage. The second, contradictory, bull recognized him as the son of Alexander VI. Lucrezia's name is not mentioned in either, and rumours that she was his mother have never been proven. The second bull was kept secret for many years, and Giovanni was assumed to be Cesare's son. This is supported by the fact that in 1502, he became Duke of Camerino, one of Cesare's recent conquests, hence the natural inheritance of the Duke of Romagna's oldest son. However, some time after Alexander's death, Giovanni went to stay with Lucrezia in Ferrara, where he was accepted as her half-brother.

Lucrezia Borgia, by an unknown artist.
Tomb of Alfonso I d'Este and Lucrezia Borgia, Ferrara.

Second marriage: Alfonso of Aragon (Duke of Bisceglie)

At his first meeting with Alfonso, before the marriage took place, Cesare was very impressed by his good looks and nature. This soon changed to jealousy and hatred. It was said that Cesare did not like Alfonso because Lucrezia was very happy with him and had, since her marriage to him, stopped giving Cesare as much attention. Also, Cesare himself had a bout of syphilis and many scars remained on his face, even after recovery. This made him very conscious of his appearance, and so he started wearing masks and dressing in black. His condition is said to have made him hate Alfonso of Aragon all the more, and once when the Prince was visiting them in Rome, Cesare's men had attacked him during the night. To retaliate, Alfonso's men shot arrows at Cesare one day while he strolled in the garden. This infuriated Cesare, and he had his servant(s) strangle Alfonso while in the recovery room. Lucrezia and Alfonso had only one child, Rodrigo, who predeceased his mother in August 1512 at the age of twelve.

While the reason for Alfonso's murder could have been jealousy, it did have a political background. Just like Lucrezia's first marriage, the second one soon became a useless alliance and a reason for embarrassment for the Pope and his son. Cesare had just allied himself with King Louis XII of France, who claimed the duchy of Naples, which was in the hands of Alfonso's family at the time. Whatever the reasons for his murder, Lucrezia was genuinely fond of her husband and broken–hearted upon his death.

Third marriage: Alfonso d'Este (Duke of Ferrara)

After the death of her second husband, Lucrezia's father, Pope Alexander VI, wanted to arrange a third marriage. She then married Alfonso d'Este, Duke of Ferrara. She gave her third husband a number of children and proved to be a respectable and accomplished Renaissance duchess, effectively rising above her questionable past and surviving the fall of the Borgias following her father's death.

Neither partner was faithful: Lucrezia enjoyed a long relationship with her bisexual brother-in-law, Francesco II Gonzaga, Marquis of Mantua [12][13] as well as a love affair with the poet Pietro Bembo. Francesco's wife was the cultured intellectual Isabella d'Este, the sister of Alfonso, to whom Lucrezia had made overtures of friendship to no avail. The affair between Francesco and Lucrezia was passionate, more sexual than sentimental as can be attested in the fevered love letters the pair wrote one another. The affair ended when Francesco contracted syphilis and had to perforce end sexual relations with Lucrezia.[14]

Lucrezia met the famed French soldier, the Chevalier Bayard while the latter was co-commanding the French allied garrison of Ferrara in 1510. According to his biographer, the Chevalier became a great admirer of Lucrezia's; considering her a "pearl amoung women". How much she returned his admiration is unknown.

Lucrezia Borgia died in Ferrara on 24 June 1519 from complications after giving birth to her eighth child. She was buried in the convent of Corpus Domini.[15]

On 15 October 1816, the Romantic poet Lord Byron visited the Ambrosian Library of Milan. He was delighted by the letters between Borgia and Bembo ("The prettiest love letters in the world"[16][17]) and claimed to have managed to steal a lock of her hair ("the prettiest and fairest imaginable."[17]) held on display[18][19][20].

Issue

Lucrezia was mother to seven or eight known children:

At least one biographer (Maria Bellonci) claims that Lucrezia gave birth to three more children, one by Alfonso of Aragon and two by Alfonso d'Este, who did not survive infancy. She is also thought to have had at least four miscarriages.

Lucrezia is the ancestress of many notable people, including American Civil War general P.G.T. Beauregard[21] and actress Brooke Shields.[22] She is a collateral relative of most of the royal families of modern Europe including that of the United Kingdom. She died in 1519 from an infection after the birth of her seventh child.

Rumours

Portrait of a Woman by Bartolomeo Veneto, traditionally assumed to be Lucrezia Borgia.

Several rumours have persisted throughout the years, primarily speculating as to the nature of the extravagant parties thrown by the Borgia family. Many of these concern allegations of incest, poisoning, and murder on her part; however, no historical basis for these rumors has ever been brought forward, beyond allegations made by the rivals of the Borgias.

Biographies

Plays, operas, films, and novels

Plays and operas

Songs

Films

Novels

Comic books

Television

Video Games

See also

References

  1. http://books.google.com/books?id=BVMmjWgZB2AC&pg=PA29#v=onepage&q&f=false
  2. "NGV's Renaissance mystery woman revealed". Brisbane Times. http://www.brisbanetimes.com.au/news/national/ngvs-renaissance-mystery-woman-revealed/2008/11/25/1227491534785.html. 
  3. Maike Vogt-Luerssen: Lucrezia Borgia - The Life of a Pope's Daughter in the Renaissance, 2010, ISBN 978-1-4537-2740-9, pp. 90-91.
  4. The Borgias by Ivan Cloulas page 52
  5. NGV's Renaissance mystery woman revealed. - The Age 25 November 2008, retrieved on 25 November 2008.
  6. Only known painting of Lucrezia Borgia discovered in Australian gallery The Times of London, November 25, 2008
  7. Infamous Renaissance woman subject of mystery portrait - Australian Broadcasting Corporation 26 November 2008, retrieved on 26 November 2008.
  8. Gallery unveils portrait of infamy - The Sydney Morning Herald 26 November 2008, retrieved on 26 November 2008.
  9. Portrait of Renaissance femme fatale Lucrezia Borgia found at NGV - The Age 26 November 2008, retrieved on 26 November 2008.
  10. Art detective says the brother did it - The Age, 27 November 2008
  11. George R. Marek "The Bed and The Throne" p.142
  12. Lucrezia Borgia: Life, Love and Death in Renaissance Italy, Sarah Bradford, Viking, 2004
  13. Observer review of Lucrezia Borgia: Life, Love and Death in Renaissance Italy
  14. Marek.p.169
  15. "Ferrara 2002 Anno di Lucrezia Borgia". Comune di Ferrara. http://www.comune.fe.it/lucrezia/index_ing.htm. 
  16. Viragos on the march, The Spectator, June 25, 2005, by Ian Thomson, a review of Viragos on the march by Gaia Servadio. I. B. Tauris, ISBN 1850434212.
  17. 17.0 17.1 Pietro Bembo: A Renaissance Courtier Who Had His Cake and Ate It Too, Ed Quattrocchi, Caxtonian: Journal of the Caxton Club of Chicago, Volume XIII, Nº. 10, October 2005.
  18. The Byron Chronology: 1816-1819 - Separation and Exile on the Continent.
  19. Byron by John Nichol.
  20. Letter to Augusta Leigh, Milan, October 15, 1816. Lord Byron's Letters and Journals, Chapter 5: Separation and Exile.
  21. Frances P. Keyes, Madame Castel's Lodger, pages 40–41
  22. www.Worldroots.com
  23. Lucretia Borgia | guardian.co.uk:Philip Pank (February 5, 2002)
  24. BBC - h2g2 - A Brief History of Poisoning:28th July 2005
  25. Tate Collection | Lucretia Borgia Reigns in the Vatican in the Absence of Pope Alexander VI:Frank Cadogan Cowper 1877-1958